Headed to the Land We Were Promised (Glory)

Lonnie Holley

2019, Birmingham, AL, Carbon Steel

Lonnie Holley has devoted his adult life to the practice of improvisational creativity across many media, from visual art, to music and—most recently—film. His film, “I Snuck Off the Slave Ship,” premiered at 2019 Sundance Film Festival. His 2018 album, “MITH,” was critically acclaimed, making lists of the top 10 records of the year in the New Yorker and Newsweek. Paste magazine has named Holley (along with cultural icons such as Yoko Ono, David Byrne, Jean-Michel Basquiat and Laurie Anderson) as one of the 10 most important artists who crossover between the visual arts and music. Holley’s work has been acquired by, among many other museums, the Metropolitan Museum of Art, the Whitney Museum of American Art, the Smithsonian American Art Museum, the American Folk Art Museum, the High Museum of Art, Minneapolis Institute of the Arts, Virginia Museum of Fine Art, Fine Arts Museums of San Francisco, Museum of Fine Arts Houston, The Phillips Collection and the Ogden Museum of Southern Art.

Photo credit: Crista Rock Photography